![]() ![]() Living up to the title of the whole series, those concert tapes often sound like bootlegs here and there, you can hear people in the audience commenting as the songs start up and end. (Along with his acclaimed album, Dylan had also just recovered from a heart-related health scare). Dylan was also wise to discard a musically jauntier take on “Not Dark Yet” for the slower, crawly version on Time Out of Mind.įragments also features a remix of the original album (which wipes away some of the original’s sonic gloom), a disc of outtakes that have already been released, and those live cuts, which also demonstrate how musically reborn Dylan was feeling at the time. That’s especially apparent in “’Til I Fell in Love with You”: An early take, which features a yelpy, somewhat more limber-voiced Dylan, gives way to a later version closer to the skulking one we’re familiar with. It’s a sound and sensibility he’s adhered to ever since.īut as the sessions moved to a new location, Dylan, along with Lanois and the various musicians brought in, seemed to realize that the songs merited something deeper, darker and more appropriate for the fiftysometing Dylan. This was his strongest set of songs since 1989’s Oh Mercy, and the sound of the album, aided greatly by producer Daniel Lanois, made you feel as if you were listening to Dylan and his musicians working their way through the history of American music in a deserted and very smoky roadhouse. ![]() Even as it revealed a Dylan with an increasingly charred voice, the moody, dark-night-of-the-Bob record marked a reboot of his music after two albums of acoustic folk covers. ![]() That one album is blown out into a five-disc package, which includes two full sets of unissued outtakes and another of live recordings from the Dylan-comes-alive tours that followed in the record’s wake.Īs much as that sounds like overkill, Time Out of Mind deserves the under-the-microscope treatment, not merely because it copped an album-of-the-year Grammy (along with two others) in 1998. As its title makes clear, that’s the case with Fragments-Time Out of Mind Sessions (1996-1997), the 17th volume in the series. Most editions of Bob Dylan’s three-decades-and-running Bootleg Series focus on a particular phase of his career, but a few have zoomed in on the making of an especially hallowed record. ![]()
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